Inspirations Issue #76 to feature Winter Mistletoe Scarf

The Australian embroidery magazine, Inspirations, will feature the design and instructions for my Winter Mistletoe Scarf in issue 76, to be released later this month.

This has been a very interesting year for me, full of new experiences & opportunities.   Not only did I start a new job in a new field, but for the very first time I had an embroidery design published.  I was barely done wrapping up the details on the first publication when I was contacted by Inspirations about the Mistletoe Scarf design. 

I'm really excited to see the upcoming issue of Inspirations magazine.  I believe all of you who follow Elizabethan embroidery will want to get their hands on a copy, if at all possible.  

I have been corresponding with the lovely ladies at Inspirations for months.  At the start of the process I mailed my scarf to them, along with any design notes, etc.  (Inspirations writes the instructions for their featured projects in order to keep formatting consistent throughout their magazine.)  Our discussions on my design began.  I was tickled to find out that they were unaware of one of the fibers I used on the scarf - Gilt Sylke Twist!  In researching the thread, they stumbled across the whole Plimoth Jacket project, of which they were also unaware.  Of course they were very excited to read about the reproduction jacket.  As a result of my having used GST threads on my scarf, this issue of Inspirations will include an article about the jacket project as well as my scarf design!  How's that for serendipity?  

Once again, I want to thank everyone who follows my embroidery and who has helped me along the way.  It has been an amazing journey.  The pleasant surprise for me is that my love of embroidery has been the agent by which I have met so many wonderful people who went out of their way to assist me with no expectations in return.  

Which leads me to wonder... if the next President of the United States was not only a woman, but an Embroiderer, maybe my world would be a better place.

With Cunning Needle: Four Centuries Of Embroidery ....Winterthur Museum in Delaware

Most of you are probably already aware that the Plimoth Jacket is on view at Winterthur Museum,  in the exhibit titled  "With Cunning Needle: Four Centuries Of Embroidery" (photo at right is from their email advertising the exhibit).  Click here to go to the exhibit info on Winterthur's site.

On October 21st and 22nd they are holding a needlework conference in conjunction with the exhibit.  Will any of you be attending?  If so, maybe we could plan to meet.  I will be studying crewelwork under Nicola Jarvis from the Royal School of Needlework.  I hope to see you there!

To view conference info click here.

Winterthur needlework conferences are among the best I've attended, with informative lectures and great workshops and tours.

In October 2008 I attended their conference, "Who's Your Daddy".  I took a workshop by Tricia Wilson Nguyen, reproducing a sweet bag and knife holder in their collection.  Before you ask - No, I haven't completed it yet : )  After the 2nd afternoon of conference workshops they gave us what can only be described as a fairytale gala.  We met in the Galleries Reception Area after lunch and proceeded upstairs to our respective workshops.  In early evening, we descended the wide stairway back into an enchanted fairy tale gathering.  In the twilight, the largely glass room was awash with candlelight from tiny candles placed at a multitude of  tete-a-tete tables that had appeared in our absence, and also amongst the glittering glassware piled high atop the round reception desk, now moonlighting as a wine bar.  We dined on hors d'oeuvres and wine whilst discussing embroidery; it was an enchanted evening.

In addition to Tricia's workshop I also attended their Library Design Resources Workshop.   If you haven't experienced the Library workshop you really should!   Many people aren't aware that Winterthur Library has an extensive collection of rare & antique design-books, which include etchings of all manner of things useful to an embroideress.  The books are available to the general public for viewing - and touching!  (That's what surprises most people attending the workshop.)  The books range from the 17th to early 20th century and you can page through them, carefully, of course.  You may also copy any intriguing bits you discover for a very nominal fee.

Winterthur Museum & Library is a great resource for needlework artisans.  In 2010, as Chapter Vice President,  I scheduled a tour for my local EGA chapter that included the Library Design Resource Workshop, a personalized tour of any embroidery on exhibit in the main house, viewing of the Plimoth jacket, and a short lecture by Linda Eaton, who shared many embroidered pieces not on exhibit.  All this for $15 per person and the staff treated us like special guests.

So, if you live close by, or even if you don't,  you might consider attending a needlework seminar at Winterthur.  You won't regret it!