Christmas Ornament/Purse Inspired by Trevelyon's 1608 Miscellany

 This design is actually a detail from a panel-type drawing that was published in Thomas Trevelyon's 1608 Miscellany.

The last I read about it, there are actually 2 extant manuscripts, one owned by the Folger Shakespeare Museum in Washington, DC, the other was in a private collection.  The Folger Shakespeare Museum has printed a reproduction of their copy, available for $750 on their website.  That's not the copy I have - lol !  Ask your local museum or research library to purchase a copy of it!  I'd love to see this book.

There is a much less expensive route to get some of Trevelyon's patterns.  The 41st Volume of the Walpole Society includes some of his patterns.  You may be able to purchase a used copy (which I did) or possibly get it on an ILL.




I made this mini-purse (2-1/2"wide by 4" high) as a Christmas tree ornament 2 years ago.  As you can see, it's a fully functioning purse, as well.  The back has the same design as the front.

Linen:  50 ct Kingston
Threads by Mulberry Silk of England
her website:
http://mulberrysilks-patriciawood.com/store/

Stitches used:
Spiral Trellis for berries
Detached Buttonhole on leaves
Couched #5 smooth passing gold "thread" for branches  (my first attempt at couching and I should have couched closer together.  It looked great while on the embroidery frame, but shifted after assembly)
Van Dyke for the veins on the leaves.
Heavy Broad for purse outline (the red)
Paillettes

I used real gold thread and paillettes.   When hanging on my Christmas tree, the paillettes catch the tree lights and sparkle beautifully.

Elizabethan Purse : Peascods & Posies

The Peascod greene oft with no little toyle,

Hee’d seeke for in the fattest, fertl’st soile,

And rend it from the stalke to bring it to her,

And in her bosome for acceptance woo her.”

William Browne of Tavistock

This is a project I finished several years ago.  I designed this purse in preparation for travelling to Plimoth Plantation to help with the embroidery of the Plimoth Jacket, currently on display at Winterthur.  Prior to this, I had never done any non-counted Elizabethan embroidery, so I wanted to practice before I worked on the jacket.  I had just taken a class in Richmond, VA from Chris Berry thru the Embroiderers' Guild of America (EGA).

The purse is the same front and back, except for a color change or two.  All stitches used are Elizabethan period stitches.

I used Kingston 50 ct cream linen, silk buttonhole twisted threads from Au Ver a Soie and Mulberry Silks, and #5 smooth passing gold wire from Golden Threads.

The lining is a cornflower blue that matches the medium blue silk thread.

The leaf shown here is worked in Up & Down Buttonhole stitch.

Lady bug is worked in Spiral Trellis stitch.  A wonderfully fun stitch to work, and it can be padded to produce a really 3D effect.

The vine is done in Reverse Chain stitch using #5 smooth passing gold wire (real gold).  It's one of the first things that non-stitchers are drawn to on this purse.  I've been told that it looks like I laid a gold chain down on the purse and attached it.

The red caterpillar is worked in Ceylon Stitch.

Here's a photo of the peascods before the embroidery was cut off the slate frame.  You can see a bit of the peas peeping out of the pods.

The caps are Ceylon stitch, the pods are worked in Detached Buttonhole stitch.

The blue flower, Columbine, that you can see a bit of is worked in Trellis stitch worked on a diagonal.