A Floral Scarf to wear whilst riding horseback with the Queen of a Spring Day

This floral scarf for Spring was inspired by the following :

Queen Elizabeth (I) and her Ladies sometimes wore scarves while riding horseback and enjoying other outdoor activities, according to biographer Janet Arnold in Queen Elizabeth's Wardrobe Unlock'd.

The following excerpt is also from the same book:

"The description of Elizabeth uncovering herself... probably means that she removed a light gauzy scarf from around her neck.  Elizabeth had many exquisitely decorated scarves.  One... made in 1591... was of white silk cypress, embroidered with scaling ladders, armed men and other devices in the borders at each end."
"  Stubbes described them as extravagant accessories in 1583:
   Then must they have their silke scarffes cast about their faces, and fluttering in the wind with great tassells at every ende, eyther of gold, silver or silke  But I know wherefore, they will say, they weare these scarffes, namely, to keep them from Sunne burnyng."

That my scarf may be similar to the one described above, I have embroidered the floral border at both ends of the scarf and included a long fringe to "flutter in the wind".

Stitches used include:
Ceylon (insect wings, strawberry leaves)
Outline, 
Detached buttonhole (leaves, buds, carnation)
Trellis (insect body)
Spiral Trellis (base of pomegranate)


Linen:  60 count fine Cambric 
Threads:  Mulberry Silks and Au Ver a Soie's Gobelin Silk
Rolled, hand worked hem.




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Elizabethan Purse : Peascods & Posies

The Peascod greene oft with no little toyle,

Hee’d seeke for in the fattest, fertl’st soile,

And rend it from the stalke to bring it to her,

And in her bosome for acceptance woo her.”

William Browne of Tavistock

This is a project I finished several years ago.  I designed this purse in preparation for travelling to Plimoth Plantation to help with the embroidery of the Plimoth Jacket, currently on display at Winterthur.  Prior to this, I had never done any non-counted Elizabethan embroidery, so I wanted to practice before I worked on the jacket.  I had just taken a class in Richmond, VA from Chris Berry thru the Embroiderers' Guild of America (EGA).

The purse is the same front and back, except for a color change or two.  All stitches used are Elizabethan period stitches.

I used Kingston 50 ct cream linen, silk buttonhole twisted threads from Au Ver a Soie and Mulberry Silks, and #5 smooth passing gold wire from Golden Threads.

The lining is a cornflower blue that matches the medium blue silk thread.

The leaf shown here is worked in Up & Down Buttonhole stitch.

Lady bug is worked in Spiral Trellis stitch.  A wonderfully fun stitch to work, and it can be padded to produce a really 3D effect.

The vine is done in Reverse Chain stitch using #5 smooth passing gold wire (real gold).  It's one of the first things that non-stitchers are drawn to on this purse.  I've been told that it looks like I laid a gold chain down on the purse and attached it.

The red caterpillar is worked in Ceylon Stitch.

Here's a photo of the peascods before the embroidery was cut off the slate frame.  You can see a bit of the peas peeping out of the pods.

The caps are Ceylon stitch, the pods are worked in Detached Buttonhole stitch.

The blue flower, Columbine, that you can see a bit of is worked in Trellis stitch worked on a diagonal.